October 29, 2004

Found Wood

A while back Robert Heinlein's lost novel was published.

Not long ago they discovered a complete Jimi Hendrix concert filmed in 1968.

Check out what they've found now:

Danny and Shirley are a young couple with a problem: it seems that Danny can't rise to the occasion, and Shirley's running out of patience. The mysterious Madame Heles is a necromancer who has the solution to their boudoir blahs - a hands-on approach involving her two lovely assistants, the house stud, and some very special rituals.

Bond.  Renee Bond.

Oh yeah. They're releasing one of Ed Wood's 'lost' smut films, Necromania (link safe for work, but I'd wait until I was home). Best known for "Plan 9 from Outer Space", some say his films were so bad that it's sure proof of his genius. Besides his attempts at sci-fi, westerns and horror, he also did porn. But of course even his blue movies are blessed with that Ed Wood magic.

As I went through the Ed Wood filmography, I was delighted to discover that Rene Bond starred in several of his more mature offerings. You may recognize her, she was very popular in adult movies and as a model in men's magazines in the 60's. Knowing that doesn't mean I'm old, it means that I can appreciate vintage erotica.

I don't watch much porn, but since this is Ed Wood, well, you know I'm gonna order it.

Posted by: Ted at 05:07 AM | category: Cult Flicks
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October 27, 2004

100 Scariest Movie Scenes

Check out the list at RetroCrush.

A rattle of the bones to Dave for pointing it out. I saw it in the comments at Vadergrrrl's place, and she has an excellent post on her personal favorite scary films too.

Posted by: Ted at 04:50 AM | category: Cult Flicks
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October 26, 2004

Movie Review: Astro Zombies

Mad scientist. Check.
Creepy assistant. Check.
Pulsing brains and hearts. Check.
Homicidal monster. Check.
Splashing blood and gruesome gore. Check.
G-Men. Check.
Foreign spies. Check.
Busty babes in bra and panties or bikinis. Check.

So can someone please tell me why this movie is so damned dull?!?!?!?!?

Tura Satana

Astro Zombies has a decent cast, and you'll probably recognize several of the actors. Robert Carradine stars as the evil scientist, but he's barely trying here. Robert Bagdad checks in as the odd assistant, and while he looks like an evil assistant, he spends a lot of time alternating between evil genius in his own right and bumbling idiot servant. Tura Satana of Faster Pussycat! Kill! Kill! is the head of an international ring of spies out to steal the doctor's secrets, but her acting is if anything even worse in this movie. The G-men are just annoying, and tend to die after long boring chase scenes. They're supposed to be the good guys, but such faceless drones that I really didn't care whether or not they lived or died.

I think the idea was to build suspense by dragging out the action, but the director had no real clue about how to really build tension. There wasn't a lot to work with either, because the script is bad, the acting is bad, the plot is bad, the sets are bad... The cars are nice though, it's fun to see yesterday's roads filled with Mustangs and Galaxys.

About three-fourths of the way into this movie, you can almost hear the director say "time to liven this mess up!" Suddenly spies and G-men start to get shot and stabbed, the monster starts to attack, the gore becomes more graphic, and characters actually run instead of meander around the screen. Not that any of it saves this bomb.

One part that made me laugh was that the monsters (the Astro Zombies), are powered by photoelectric cells stuck to their heads. Yep, solar powered evil. For nighttime badness, they also have a built in battery pack that recharges during the day. In one fight scene, a G-man manages to remove the battery pack from the monster. The monster grabs the G-man's flashlight, and we're treated to a long sequence where the monster is struggling through the back alleys of Los Angeles, trying to make it back to the doctor's secret laboratory, all the while holding the flashlight to his forehead!

An interesting bit of trivia, this movie was co-written and produced by Wayne Rogers - Trapper John of television's M*A*S*H. I'm curious to know how many times he's been punched for having a hand in this movie.

Simply put, this movie sucks, and not in a good way. Stay away from this one, unless you need the sleep. What a shame, because it had so much potential too.

Posted by: Ted at 11:45 AM | category: Cult Flicks
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October 17, 2004

Mucho Queso Gracias!

I recently had the pleasure of getting reaquainted with old friends: Mexican horror movies. These were a staple on late-night TV when I was growing up, usually coming on after Monty Python and the bullfights from Mexico City.

"Mexican horror films are, without a doubt, the closest thing to a cinematic acid trip you are ever going to encounter." Keith Crocket - Cinefear Video

Like Japanese monster movies, there's a certain atmosphere and quirkiness to these flicks, a "feel" that is recognizable and (to me) much more accessable than the Japanese flicks. Keith Crocker pegs it with his definition: simplicity. These are no-frills, straightforward efforts. No tongue-in-cheek, no broad overacting, no subtle messages or morality plays, these movies are simply meant to entertain.

The movie that fired me up again is called The Brainiac. It was part of a three-movie collection I found digging through the WalMart bargain bin.

In the movie, a Baron is condemned to death by the Catholic Inquisition in Mexico. As he's being burned alive, he looks up and sees a comet passing overhead. He then proclaims a curse whereby he'll return when the comet appears again and wreak his revenge upon the court's descendents.

And that's just what happens, except with typical Mexican-style surreal twists. It's 1961 and 300 years have passed. The Baron doesn't just come back with the comet, he comes back *from* the comet, as a brain-sucking alien monster who can assume his human shape as the Baron, turn invisible and hypnotize people with his eyes!

That 'brain-sucking' description is literal, in fact, the medical doctor who does the autopsies on the victims describes it just so:

"Two puncture wounds are here at the base of the skull, and the brains are sucked out."

I love technical medical terminology.

During the movie, you see a lot of this monster, there's no fleeting subliminal glimpses here. Obviously, the makers of this movie are proud of the mask they created (it is pretty cool), so they show it often. You might think that he's got massive fangs to make those "two puncture wounds", and you'd be wrong. The monster has this giant dorky-looking forked tongue that flops out when he's about to kill someone.

And he goes about exacting his revenge, being the charming Baron to meet the people he later kills, and occasionally snacking from a bowl of brains he keeps in a locked cabinet in his castle mansion. Mmmmm, tapioca!

Just as he's about to feast on his last victim, two policemen who've been hot on his trail - sort of - show up and just happen to have flamethrowers handy. Bye bye Baron Brainsucking Alien.

I left a lot of plot out so's not to spoil it for you. The Braniac is a great introduction to Mexican horror, and an excellent example of the genre, but there's so much more to explore!

Here's a blip from The Astounding B Movie Monster archive:

Let's browse through the musty catalog of video categories. What am I in the mood for? There are B-movies. There are horror B-movies. There are Mexican B-movies. There are Mexican horror B-movies. There are Mexican wrestling B-movies. There are Mexican wrestling horror B-movies. There are Mexican wrestling WOMEN horror B-movies. That's the one! Just what the doctor ordered.
...
All of the Mexican Bs seem to star the same actors and were apparently all made by the same director, producer, writer and crew. More significantly, they all have essentially the same plot. (Mad doctor murders women. Wrestlers to the rescue.)

If you get a chance, these are fun movies to watch. Three of the best from this sub-sub-sub-genre are Doctor of Doom, Wrestling Women Vs. the Aztec Mummy (one of my all-time favorite titles), and Night of the Bloody Apes.

Wrestling women Lorena Velazquez and Elizabeth Campbell

"Well, I think we better be careful! Maybe that stupid mummy has fits, and undresses! Who knows what he has beneath his clothes?!?" - Wrestling Women Vs. the Aztec Mummy


Why wrestling? Well, wrestling used to be big time in Mexico. Like American kids dreaming of growing up to be NBA superstars, Mexican kids used to dream of becoming wrestling stars. In pre-WWF days, American wrestling was fun but kind of bland. Mexican wrestling, on the other hand, added huge portions of schlock Hollywood to its product.

A typical match: To the beat of drums, ten beautiful Mexican ladies in brass bikinis would come down the aisle, dropping rose petals and waving feather banners on long poles. Next, four brawny men in loincloths would carry a gilded litter to the side of the ring, and out would step - The Aztec God. He would slowly and majestically climb into the ring, where some of his bikini-clad maidens would remove his headdress and perform silly purification rituals with incense and more dancing and drumming. When they finally withdrew, the Aztec God would be standing alone in the ring, stoic, arms crossed, waiting for his opponent.

And what an opponent! The cameras would suddenly pan upwards as bright beams of light shined down, and a UFO flying saucer would hover down on cables, belching smoke and flashing colored lights as it was lowered, until it rested on the ground. After a moment, the door would open, and two beautiful Mexican women in silver bikinis would step out. They would lay out a red carpet and suddenly a bright light would shine from the doorway, illuminating from behind a figure standing there. The Alien had arrived.

When he finally made it into the ring, they'd have a regular ol' wrestling match. And when it was over, the next match would be announced, and it would be more of the same wonderfully tacky theater, maybe Doctor Love against Snake Charmer.

For more about Mexican horror films, I highly recommend reading this article at Cinefear.



I took some trouble to format this one a little nicer than the normal Rocket Jones post. Two reasons: first, because I can use the html and css practice, and secondly because I'm truly fond of these movies and they deserve a little something special.

Posted by: Ted at 12:20 PM | category: Cult Flicks
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October 09, 2004

Movie Reviews for Dummies

Don't write lines like this:

"The music that was played throughout was so awful it makes you want to rip your eyes out of their sockets."

Huh?

Posted by: Ted at 08:46 PM | category: Cult Flicks
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October 08, 2004

Two Three Ok, Four Remarkable Movies

I've recently seen a foursome of interesting movies, each fun and worthwhile in a unique way, yet flawed enough to keep them from reaching their full potential.

First up, and probably the best known here in America, is The League of Extraordinary Gentlemen, starring Sean Connery. Critics panned it and a lot of people hate it for various reasons.

Too bad, 'cause I like this movie. Characters not true to legend? Boo hoo. Unbelievable special effects? That's the point. It doesn't follow the storyline it's based on? It's based on a comic book, get over it. Much like Starship Troopers Earth vs. Soup, you need to suspend belief and just enjoy the ride. I enjoy these bigger-than-life adventures in the Raiders of the Lost Ark style (I think RotLA is overrated too). Lots of fun.

Next, I've got a pair of international offerings courtesy of my friend Dan. He's got the same twisted taste in movies that I do, so we trade flicks often and suggest weird little offerings for each other.

Shogun Assassin. From Japan, this is the movie that inspired Kill Bill. In fact, Kill Bill is an Americanized version of this cult classic and pays tribute in little ways to the original, but you probably missed them if you've never seen this one. The cover of the box proclaims that this flick has been banned since 1983 (due to extreme violence), and that it's impossible to keep a body count. The violence is intense and frequent by 1980's standards, but is fairly tame in today's slasher flick-infested world. The gore mainly consists of gushing blood and is cartoon-like in the way it sprays all over the place.

Lone Wolf is an elite and loyal Samurai for a senile and paranoid Shogun. The Shogun's ninjas kill Lone Wolf's wife, so he vows vengence and, accompanied by his toddler son, they begin their quest to topple the Shogun. Lone Wolf pushes his son along in a stroller-like cart (remember, this is medieval Japan), vanquishing all mercenaries, samurai, and ninjas sent against them, and there are a lot!

The son narrates:

"My father tells me not to count the number of men he's killed, just to pray for the souls of those he's killed. I need to know how many souls to pray for, so I keep count..."

As silly as this sounds, it works. The actor who plays Lone Wolf has a powerful screen presence (unfortunately he died a few years ago of a heart attack), and the spiritual aspects of Japan are played up somewhat. There is some nudity, and like I said the violence is plentiful but not particularly gruesome by today's standards. In short, this is a Samurai movie, and an excellent one at that.

The third movie goes in about a dozen directions at once, and although it can't seem to make up its mind about where it wants to be, it's still a riveting and enjoyable movie.

Made in France, Brotherhood of the Wolf tells the story of a legendary beast that terrorizes a rural province in pre-(French) revolutionary times. The cinematography is beautiful, and you can enjoy it just for the scenery, which is a good thing because some aspects of the plot are just plain silly. I tend to be overlook that, because what do I know about French cinema (other than I can't stand Jerry Lewis)? Same for Japanese films, so I just shrug and move on.

We've got a beast running around wreaking havoc, killing men and women, children and adult alike, and the local French army garrison has had zero luck tracking it down. The King sends his Royal taxidermist to determine what exactly is going on, and he charms the local yokels as he begins to unravel the mystery.

And it's quite a mystery. A local brothel is involved, as is the Catholic Church. His sidekick, an American Indian he befreinded during the French Indian War, gets quite involved with the local gypsies, and between them and the peasants and the clergy and the hookers and the resident royalty, well, everyone has something to hide and an agenda of their own.

Remember that "silly" part I mentioned? For some odd reason, many of the fight scenes are straight out of Crouching Tiger, Hidden Dragon. In fact, I had no idea that the French in those days were such kick ass kung fu fighters! I have absolutely no idea why this was included in the film, and the film doesn't even try to justify it. You're just cruising along, digging on the hoop skirts and powdered wigs, and suddenly it's Bruce Lee time, baby.

Once again, suspend belief and just go with the flow, and you'll find a lot to like. The plot keeps you guessing pretty much right to the end, and I have to again mention the absolutely beautiful scenery and cinematography.

Finally, we have a flick that I saw on the SciFi channel, titled Retroactive. This is a little gem for action film fans. The premise is inspired: if you could go back and relive a moment, what would you do differently?

Jim Belushi plays the baddie in this movie, and enjoys the hell out of it. He's a low-class Texas redneck and the kind of guy who owns a gun and is always on the edge of the law. Critical, but oddly peripheral to the story is a government lab with an experimental but functioning time machine.

Belushi and his meek wife pick up a stranded hitchhiker, a good-looking lady who's car has broken down in the remote Texas desert. Along the way they encounter a few other people and things get out of hand quickly, resulting in Belushi killing his wife.

The hitchhiker gets away, finds herself at the lab and accidentally gets to relive the last stretch of time. Knowing what's about to happen, she tries to change events but just makes things worse. It happens again and again, and each time it gets more complicated and goes more wrong as she desperately tries to set things right.

There's lots of explosions and gunfire and car chases and crashes, and like I said, the SciFi aspect is critical to the plot but not really used beyond that. Once again, just go with the flow and enjoy the action. It's by no means a great movie, but it's interesting and entertaining and Belushi makes a great bad guy.

So there you go, four movies I can heartily recommend, and I only used the word 'silly' for two of them.

Posted by: Ted at 05:35 AM | category: Cult Flicks
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October 04, 2004

Janet Leigh

Best known as the woman stabbed to death in Psycho's infamous shower scene, actress Janet Leigh has passed away at age 77.

Besides that signature role, she had a long and distinguished career, starring in movies with leading men such as Van Johnson, Van Heflin, Robert Mitchum, James Stewart, Martin and Lewis, John Wayne, Dick Van Dyke, Victor Mature, and Tony Curtis.

Thank you Ms. Leigh.

You can get the "Mad Mother Shower Curtain" here. I always wanted one of those.

Posted by: Ted at 12:00 PM | category: Cult Flicks
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October 01, 2004

Frankenfish, the movie

You may recall the ongoing hullabaloo about Snakehead fish in the mid-Atlantic states. It's mean, tough and voracious, with the ability to scour small ponds free of other life.

Sounds like a bad movie, right?

Thanks to the SciFi Channel, now it is. I just saw a preview where the Snakeheads not only survive, but "move up a few rungs on the food ladder". They're still mean, tough and voracious, but now they're also twenty feet long.

You know I'm gonna be watching.

Posted by: Ted at 09:39 PM | category: Cult Flicks
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