September 13, 2005
Sore Losers - They wanted meat, so they ate the flower children! Hot rod juvenile delinguents and amazons from outer space have come to Memphis to kill hippies! As it were drained directly from the big throbbing vein of super 60's sexploitation movies, Sore Losers is an acid flashback thrill ride! Move over Quentin Tarentino, they don't make 'em like this anymore!
Now movies like this piss me off because I know that after reading that awesome description, I'm going to be disappointed. I set myself up for the heartbreak every time.
Stigma - Philip M. Thomas stars as Dr. Calvin Crosse, an ex-convict doctor just out of medical school. When Dr. Crosse returns home to his small New England town to set up a medical practice, things go drastically wrong. Long ago, the sheriff (Peter H. Clue) of the town infected Dr. CrosseÂ’s wife with syphilis. The disease spread to their unborn daughter, and now an adult, and very contagious, the daughter (Josie Johnson) has been having group sex with the townÂ’s young people in order to pay the old man back for his crimes. The doctor has to treat her victims and track down the diseaseÂ’s source.
So what do you think? Convict movie? Medical drama? Crime thriller? Deviant sex expose? I'm hopeful on so many levels.
Pizza Wars - San Jose State professor Babak Sarrafan directed the comedy Pizza Wars. After freeing a genie (Elliott Peele) from a bong, brothers Cornelius (Omar Miller) and Scooter (Andy Sims) are granted the traditional three wishes. They transform the oregano in their family pizza recipe into marijuana. Business at the restaurant hits an all time high, arousing the jealousy of other pizzerias in the area that each fight back in their own unique style.
I own this one. It's odd but pretty darn funny. Kind of a modern, darker Cheech and Chong movie.
Shaker Run - With the accidental discovery of a lethal bio-agent at her research facility, Dr. Christine Ruben (Lisa Harrow) decides to double cross her own government by stealing the deadly formula to keep it out of the clutches of the military! To make her rendezvous with some confederates who promise to get her out of the country, she recruits daredevil driver Judd Pierson (Cliff Robertson) and his partner Casey Lee (Leif Garrett), who are down on their luck and take the job without knowing what they're getting into. Thus begins a wild thrill ride across scenic New Zealand with evil pursuers on the ground and in the air, and the fate of the human race in the trunk of the car.
Those evil New Zealander bastards, messing with lethal bio-agents. Good thing America had Cliff Robertson and Leif Garrett around... uh... Leif Garrett? And isn't New Zealand an island? If you wanted to get out of the country, wouldn't you want to hire a pilot instead? There'd better be some gratuitous nudity in this one, that's all I can say.
Run Virgin Run - A blacksmith in a remote mountain village services the local women to their complete satisfaction, but when he expresses his desire for a virgin they fear he will leave for the city. If they hope to keep him around they must find him a virgin.
I'm seriously thinking about a career change. Unless the virgin has a baby afterwards and it runs around bleating "da-a-a-a-a-a-d".
Graveyard Tramps - They'll love the very life out of your body! A powerful cosmic force is turning earth women into queen bees who kill men by wearing them out sexually. This wonderfully enjoyable, campy sci-fi film was called "A guilty pleasure" by Siskel and Ebert. This film is also known as "Invasion of the Bee Girls."
I was all hyped by this one, right up until the last line. Invasion of the Bee Girls? I already own it. *sigh*
It's good though!
Track of the Moon Beast - During a meteor storm, a fragment strikes Paul Carlson, burying itself deep in his skull. An unpleasant side-effect develops causing Paul to mutate into a giant reptilian monster at night and go on murderous rampages.
Don't you hate when that happens?
Angels: Hard as They Come - A band of schizo bikers meets a van of wasted hippies in a weird ghost town, and their mutual anarchy evolves into a free-form orgy. This biker movie glows with raw, primitive energy, rustic location shooting, a progressive rock score, and a group of the most unscrubbed characters you're ever likely to see. A fascinating 70's look at hippy culture vs. biker culture, the two groups seem originally destined for compatibility, with goal-less philosophy and wandering, nomadic lifestyle, but the disparity between the pacificism of the hips and impulsive, war-like misery of the alcoholic bikers soon erupts into all- out war symbolized by the rape/murder of a hippie chick. The stoned losers roll between angry despair and reckless bravado, ending in mutual impasse that reinforces their elemental hopelessness. This film powerfully discloses the disintegration of a culture that feeds on its own spiritual rootless ness. The verite camera style and the earthy realistic dialogue, along with generous doses of nudity and violence, make this a startling, disturbing ultimately haunting experience. Starring Gary Busey, Scott Glenn...
Aside from the title, which is straight out of hardcore porn, the producer obviously spent a good bit of the budget on a writer for that blurb. Or maybe he knew an aspiring writer. Or a psychology student. Anyways, get past the "angry despair and reckless bravado" and "elemental hopelessness" nonsense, and the important part to remember is naked chicks. Gary Busey's appearance here is proof positive that there was brain damage done in his helmetless motorcycle accident. And Scott Glenn? Leif Garrett must've been busy.
Inbred Rednecks - Get ready for a cockfightinÂ’, beer-drinkinÂ’, ass-whoopinÂ’ good time! This outrageous comedy is the winner of three individual awards, including Hollywood OnlineÂ’s Top Underground Film of 1998! Billy Bob, Clovis and Bubba have a dream: to strike it rich cockfighting their enormous rooster, cleverly named Bigass Rooster, across North Carolina and Tennessee. But when they defeat the villainous Monty, the enraged redneck and his bumbling thugs decide to steal Bigass, earning some quick dough and beloved revenge at once.
Enhance your viewing experience by wearing a sweaty wife-beater t-shirt and three-day stubble. Now shut yer yap and fetch me a Pabst Blue Ribbon. Yep. Fo' sho'.
Cornman - A laughable loser stumbles into a bucket of toxic waste in a cornfield and gains the ability to communicate with corn. He obtains the sidekicks and spandex necessary to become a superhero and vows to protect the corn from the evil villain Dr. Hoe. This one-armed-hoe-bad-guy enlists the aid of a giant mutant-hybrid-freak and several crappy foot soldiers in an attempt to dominate ALL THE CORN IN THE WORLD!
This probably seemed like a good idea at the time, which is why it should be shown in every school as part of the "this is why you shouldn't smoke dope" curriculum.
Drums in the Deep South - The Civil War is the battle ground for emotions and loyalties when best friends Clay Clayburn (James Craig I) and Will Denning (Guy Madison) graduate from West Point only to find themselves fighting on opposite sides of the Civil War. When two men meet each other in combat, neither knows it, as each is in an artillery position hundreds of yards from the other!
Now that's suspense. Two friends in the same general area without realizing it. Oh, be still, my heart!
Crash of the Moons - This feature-length film is culled from three episodes of the classic science fiction TV series Rocky Jones, Space Ranger. Two planets are headed for collision, and Rocky Jones and his team race to prevent the catastrophe.
"Rocky Jones"? Never heard of him before. Honest!
Warning from Space - A race of aliens shaped like giant muppet starfish have come to warn us that a rogue planet is on a collision course with earth. As the planet approaches, its gravity wreaks all sorts of havoc with weather and tides. Earth scientists join forces with the five-pointed alien visitors in hopes of saving the world.
Muppet Starfish?!?!?! Oh baby, I am so there!!! I was pleased to find that I already own this one in one of my collections, but haven't had a chance to see it yet.
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September 10, 2005
Actually, this is more like a warning to keep away from this incoherent mess of a film. I'll describe the movie a little bit, but please, don't think I'm trying to make it sound entertaining. Any implied enjoyment value is strictly accidental.
Wanna see the funniest bit in the film?
Ignore the words, those are just stupid. Check out the teeth. Get it? Southern California? The desire for perfect teeth, even for vampires. I thought it was funny, but believe it or not, that shot in the opening credits was the highlight of the movie.
Bad, bad, bad. You'll see much better acting at your local high school production. You'll only understand the storyline if you read the description on the box first. The cameraman has parkinsons. Twice, they inexplicably break into tap dancing numbers or folk guitar sing-alongs (or both, intercut in one sanity-rending sequence).
I forced myself to finish watching, hoping for another "smile" moment that never came. This flick sucked so bad that I didn't even realize until later that there wasn't a single bare boob displayed, despite the advertising.
I can't even bring myself to blame the distributer for lying about the nudity. I'd probably lie too if I was stuck trying to sell this...
Words fail me.
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September 06, 2005
Pre... whatchamacallit: When I jumped at the chance agreed to accept a reviewer's copy of this movie, I promised myself that I would give a fair and honest review. I do believe that I've kept that promise, and I hope that after reading it, you'll think so too.
I was thinking about what a pain it would be to have to keep typing "Dr. Horror's Erotic House of Idiots" throughout this review, but the acronym "DrHEHoI", is just as bad.
Everyone has had that moment while watching a movie or television show when you recognize an actor or actress but can't quite place where else you've seen them. It can drive you crazy, until at last your memory clicks, and then it's an almost physical feeling of relief. Likewise, it's often a pleasant surprise to see someone you recognize in an unexpected role. This movie is full of those wonderful and surprising moments.
Now I have to tell you that this isn't a horror movie... exactly. I mean, there are undead and werewolves that play prominent roles, but the focus isn't on horror, it's on satire and parody and spoof (spoofage? That might be a dirty word). In overall feel, I'd liken Dr. Horror (don't make me type the whole freakin' thing out people), to that paean to the surreal, Happiness of the Katakuris. Plotwise, the story is fresh, intricate and plausible in its own charming way.
Without giving away too much of the story, there are three people who come to visit a famous sex therapist. Unfortunately, the doc is away, and the caretaker scams them by passing off his buddy as the "substitute" doctor, Dr. Horror. And that's about as bare-bones a description as is possible about a movie that runs 2+ hours.
Yep, you read that right, but not to worry, because it keeps moving right along. There are several long vignettes, almost mini-movies, that are used to advance the story, and nothing is rushed or hurried. Like old-time roadshow movies, it even has an Overture, Intermission and whatever you call that music when the movie is done (Enditure?). In addition, there's one helluva entertaining documentary included on the disk called "That's Independent". All told, there's over 3 hours of viewable material.
Here are a couple of exerpts from the letter that Producer Paul Scrabo sent along with the movie:
"Dr Horror had one intention in its conception: whatever the "B-Movie rules" were, we would just do the opposite.
I wouldn't go so far as to say it's G-rated, but there's no nudity, no gore and no potty jokes. In fact, the humor and innuendo is often subtle and mature. I said "often", not always. This flick made me laugh out loud several times, and more than once I had to pause it so I could stop chuckling and then rewind to see what I'd missed.
In the low-budget world, horror is in good shape, so it did not make sense to make one. Rather, we decided to poke some fun at the world of "direct to video" fare. The "erotic" in the title is a joke on the many films that have "erotic" in the title in order to make them more "marketable".
Sex sells, even crappy B-movie sex. Dr. Horror, though, works the "erotic" into the story line, which is more than the typical indie flick. Pick up "Satanic Rites of the Erotic Cannibal Blood Sacrifice" (don't bother, I just made that up), and you can pretty much bet that "erotic" stands for gratuitous nudity. I'm all for boobs on screen, but face it, if you're spending the night at Camp Meathook, you should probably reconsider that urge to get naked. Especially since nude teenagers are the horror movie equivalent of Star Trek's guy in the red shirt.
"But mon ami," you may ask, "what about ze eye candy?!?!?"
Let me tell you, mi amigo (screw consistancy), this movie has plenty of nice looking ladies in outfits that make it fun to look. Which is as good a segue as any to start talking about the stars. The cast of "Dr Horror" is filled with familiar names, familiar faces and true legends from the world of B-movie cinema. One of the reasons this took so long to write was because every time I'd start researching the actors, I'd wind up off on a tangent following someone's career.
First up is Debbie Rochon. Now I'm partial to brunettes in the first place, but when my wife saw Ms. Rochon on the screen, her first words to me were "oh wow, you're in love, aren't you?" She knows me so well. Debbie Rochon is drop-dead gorgeous and the lady can act too, starting out on stage on and off Broadway before going into the scream queen biz, where she's won numerous awards. She displays a great sense of comedic timing, and her "dolphin book" scene will make you forget the diner in When Harry Met Sally.
Is she really a star? Well, she's been elected into the B-Movie Hall of Fame. I'd certainly roll out the red carpet for her.
Trent Haaga plays a complete jerk, yet still manages to make you care about his character. That's quite a tightrope to walk, but he balances everything with, again, a fine sense of comedy. This is the first time I've seen his work, and he shines.
The character of Ashley is played by Nathan Sears. This was his first role, and he is so convincing as the milqutoast nebbish that you just want to reach out and force him to strip to prove he actually has testicles shake some sense into him. That is, until he is compelled to become a hero, and then he becomes... well, maybe not John Wayne, but tougher than Wayne Newton for sure.
Dr. Horror is played by Michael R. Thomas. You might not recognize the name, but you've certainly seen his work, because he's been a Hollywood makeup artist for a long time. Among his credits are The Wiz, Neighbors, Ghostbusters (both of them), Wolfen, Fatal Attraction, and television. He also did a bit of work on... *drumroll please* softcore lesbian spoofs shot direct to video. Yay!
Mr. Thomas has done some acting too. I first saw him in front of the camera in Lord of the G-Strings (see above), but he played Smirnoff the wizard and hid behind a full beard. I recognized him from his part as the club owner in Bite Me! He's a funny guy, and if I had to describe him, it might be as a cross between Bela Lugosi and Michael Richards (Kramer from Seinfeld). His background in makeup is a bonus too. I wrote recently about enjoying the Frankenstein Legacy Collection. Well, imagine my delight when Michael Thomas appeared in one Dr. Horror vignette as Ygor! Originally played by Bela Lugosi in Son of Frankenstein, Mr. Thomas brilliantly recreated the character, right down to the accent and the scarred and broken neck. That scene right there is worth the price of the movie to me.
"His business card reads, "Conrad Brooks, Movie Star." The New York Times named him, "The Gielgud of Bad Movies," a title he embraces fondly."
-- I-Con 23 website
The last main character is the caretaker, played by Conrad Brooks. He's a likeable guy, but gives the weakest performance of the cast. On the other hand, he got his start in Ed Wood movies, and over the years has appeared in, directed, produced, and written some real stinkers - many of which I own and love. He made appearances in two of the worst films ever made: Plan 9 From Outer Space *and* The Beast From Yucca Flats. Folks, that's a pedigree right there, and I have no standing to criticize.
Even the supporting characters have solid B-movie credentials. An unexpected bit of wonderfulness was the appearance of John Zacherle, who had a top-10 song in 1958 titled "Dinner with Drac".
I will make mention that Dr. Horror was co-written by "my girl" (as Victor calls her), Brinke Stevens, who also makes a cameo.
"It also helps to have a lighting director for a wife (George Ann Muller), and she made all the sets herself!"
-- Paul Scrabo
(take note, Mookie)
All right, so all I've done so far is gush about how wonderful this movie is. Surely, there must be something less than perfect about Dr. Horror. Of course there is, because it's an independent movie. If you're looking for Hollywood, this isn't it. What this is, though, are cast and crew making movies because they love what they do and have fun doing it. I also want to make clear that independent doesn't mean amateur. Don't expect Gone with the Wind, and you'll have a grand time watching this.
Highly recommended. You can get your own copy at Scrabo.com.
For the record, I am not afraid of lesbians.
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August 31, 2005
Having real tigers chase and maul zombies...that's cool. It's like When Animals Attack, only better.
Now how can you disagree with that?
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August 29, 2005
- Bikini Girls on Dinosaur Planet
- Zombiegeddon
- Vampire Lesbian Kickboxers
- Spacemen, Go-go Girls and the True Meaning of Christmas
- Repligator
- Night of the Day of the Dawn of the Son of the Bride of the Return of the Revenge of the Terror of the Attack of the Evil, Mutant, Alien, Flesh Eating, Hellbound, Zombified Living Dead Part 2: In Shocking 2-D
I'm sure there's more.
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August 28, 2005
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August 19, 2005
In 1958 Alfred Hitchcock directed his masterpiece Vertigo, which was set in San Francisco. In 2003, this guy went around the city with a camera and took pictures from the same viewpoints as the movie. The photos are posted side by side, so you can see the changes that have happened in 44 years.
I love the internet for sites like this.
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August 18, 2005
Premiere magazine just released their list of the "Top 20 Most Overrated Movies of All Time" -- which of them is the most overrated?
- 2001: A Space Odyssey
- A Beautiful Mind
- American Beauty
- An American in Paris
- Chariots of Fire
- Chicago
- Clerks
- Easy Rider
- Fantasia
- Field of Dreams
- Forrest Gump
- Gone with the Wind
- Good Will Hunting
- Jules & Jim
- Moonstruck
- Monster's Ball
- Mystic River
- Nashville
- The Red Shoes
- The Wizard of Oz
I'd be interested to hear your take on this.
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August 15, 2005
I haven't done a movie review in a while because I haven't watched many movies lately, and the ones I've seen have been unremarkable. But last week, thanks to my lovely wife, I scored a copy of Frankenstein: the Legacy Collection. I've been lusting after these since they came out, and I've already let Santa know that I expect the Dracula and Mummy sets for Christmas*.
But this isn't going to be a simple movie review, nor even just a review about the collection on DVD. Right now (and I may edit the heck out of this before I hit "publish"), this might best be described as a love letter to a dear old friend.
To many people, the term "horror movie" is interchangable with "slasher flick". I'm not a huge fan of blood and gore, preferring to be scared instead of grossed out (yes, I said that with a straight face, even though my movie collection contains more blood orgy's than the average).
Even within the horror genre there are sub-genres. Just as Dracula is the embodiment of supernatural evil and Alien has become the ultimate "creature" movie, Frankenstein's Monster is the ultimate monster character. Written by Mary Shelley** at the age of 19, the tale is less a horror story than a morality play about the consequences that result when man plays God.
Over time though, Frankenstein became a parody of itself. Mention the name and for most what comes forth in the mind's eye is a figure comprised of equal parts Herman Munster, Lurch and maybe Peter Boyle's comic portayal in Young Frankenstein. All fun, but none of them are even close to the original. Many people don't even recognize the original story when they see pieces of it in other movies (I give Van Helsing big points for being fairly true to the original in it's opening scenes). For instance, that brilliant bit in Young Frankenstein about the abnormal brain? Mel Brooks lifted that scene almost verbatim from the original movie, and most people never even realized.
The various stage versions of Frankenstein were very popular, and when the film was released in 1931 starring Boris Karloff, it became a huge hit.
The film is riddled with anachronisms and peculiarities, yet it retains its underlying believability because everyone acts consistantly within the story. The village is full of peasants named Hans and Karl, and led by a Burgermeister, yet everyone speaks with a very British accent. Somehow it works, and it's not until later that you think to yourself, "just where the heck was all that supposed to have happened?" The answer supplied by Universal Studios was "alternate reality", which neatly explains away all the inconsistancies.
I was pleased to find that the original version had been restored. In 1931 and again in later years during each rerelease, censors insisted on editing out scenes deemed too intense or inflamatory for the mores of the day. Unfortunately, these cuts also altered the story in significant ways. Probably the most famous of these edits involved the scene where the monster encounters Maria. What moviegoers originally saw was the monster looking at the little girl through the trees at the edge of the lake, then later the father carrying the body of the drowned child. The restored version shows how the child was unafraid of the monster and they played together tossing flowers into the water to watch them float. Innocently, the monster then tosses Maria into the lake, thinking she'll float too. The result is still tragic, but the motivation is revealed to be completely different, even sympathetic instead of evil.
Without going into the story beyond that, here's a one sentence review of the original version of Frankenstein: See it.
So how does one go about creating a sequel worthy of a megahit? First, you convince the original director to come back, then you bring back as much of the original cast as possible.
Thus, becomes 1935's Bride of Frankenstein.
This followup may be even better than the masterpiece it reprises. Once again, the keystone of the story is man inpinging upon God's purview, and the consequences of doing so. Rather than just recreating the style and mood of the original story, Bride is more in every sense. More humor, more pathos, more irony.
Dr. Frankenstein is recovering from his final encounter with the monster he created when he recieves a visit from an old acquaintance. Dr. Pretorius was one of Frankenstein's professors at the medical institute, one who was a main inspiration and motivator for Frankenstein's experiments.
Doctor Pretorius introduces elements to his character that evoke Hannibal Lecter more than fifty years before that human monster appeared. He is brilliant, urbane, witty, magnetic and utterly amoral. He shows Dr. Frankenstein the amazing progress he's made in his own experiments, and blackmails Frankenstein into combining their talents to advance even further.
I won't give any more of the story here, suffice it to say that there are plenty of peasants bearing torches, rampaging monsters and spectacular electrical effects in the laboratory. That's for the those who haven't seen it before (or recently). There's so much more to the story though, including religious references that pushed the limits of what the censors of the day would allow. This is an incredibly rich movie experience, and I haven't even talked about the bride.
Once again, in one sentence: See it!
On to the DVD collection itself. There are three more movies in the collection that I haven't gotten to yet: Son of Frankenstein, Ghost of Frankenstein and House of Frankenstein, along with hours of theatrical trailers, movie poster archives, production stills from scenes edited out of the movies, short subjects and commentary by film historians for the two films I talked about above. This isn't filler, it's an amazing amount of additional material that really adds to the package. All total, you get two disks in the package, and the second disk is double sided. I've heard that there were problems with the early packaging that resulted in some damaged and unplayable disks, but the issues mentioned seem to have been resolved in my set. I'll let you know if I run into any problems.
Ok, bottom line for the Frankenstein: the Legacy Collection: Folks, this set runs less than $30.00, and it's well worth it!
Movie Trivia: In the opening cast credits, The Monster is shown with a question mark instead of Boris Karloff's name. This is a tribute to the very first stage production of Frankenstein's Monster performed in 1823 (that's not a typo), when the actor who portrayed the monster was credited the same way.
Quick, what were Dr. Frankenstein's and his assistant's first names? If you said Viktor and Igor, you were wrong. The correct names were Henry Frankenstein and Fritz.
Bette Davis was considered for the role of Dr. Frankenstein's fiance.
Many consider the first horror film to be a fifteen minute long version of Frankenstein done by Thomas Edison's film studio in New York in 1910.
*I'm not so interested in the Wolfman or Invisible Man collections, although I'll admit to being intrigued by the Creature from the Black Lagoon set.
**Mary Shelley was travelling as Percy Shelley's lover at the time***. Percy Shelley is now considered one of England's greatest poets, and they were visiting with Lord Byron, another extraordinary poet. During the visit they experienced a powerful thunderstorm, which inspired Lord Byron to suggest that they each write a ghost story. Frankenstein was the only story from the group to be published.
***Technically, she was still Mary Godwin when she wrote the story. Shelley abandoned his wife and two children to run off with Mary Godwin. Soon, in the same year that Frankenstein, or the Modern Prometheus was published, Shelley's wife committed suicide, leaving the way open for him to make Mary Godwin his wife.
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August 14, 2005
Some bloggers, like Instapundit, get free books to review. That's cool.
Thanks to Triticale, I learned that a short while ago Jeff (a prominent 2nd Ammendment blogger) was given the opportunity to preview a new firearm. That's very cool.
Lastly, a couple of weeks ago, I got an email referring to the Rocket Jones online biography on Brinke Stevens. It seems that Ms Stevens has written a new horror movie which is now out as an indie effort, and yours truly was offered a review copy. How cool is that?
The internet is a twisted place full of unexpected surprises. If you're using it right.
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August 10, 2005
Alas, I actually own less than half of these titles.
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July 31, 2005
These are the statuettes awarded (click image for bigger size):
Specially created for the Fest, these are just too cool. The heck with Oscar, I want a Creatch!
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July 05, 2005
You also see Rosie O'Donnel dancing on a strip club stage in a bustier.
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June 19, 2005
Peblum, literally, is the short skirt worn by ancient gladiators, but it's also used to describe a genre of movies. Although generically it refers to any heroic fantasy movie set in ancient times (Hercules, Atlas, Jason, etc.), specifically the term applies to the movies made in Italy during the 50's and 60's. You can check out my earlier post on Steve Reeves for a bio of one of the superstars of the type.
I suppose the fantasy aspect of these movies qualified them for inclusion in a SciFi collection, but that's ok with me. Look for an upcoming Rocket Jones review of Hercules movies in the future. You know you can't wait.
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June 12, 2005
"We're on a blind date with destiny, and she just ordered the lobster." -- The Shoveler
This flick is available in the $5.50 discount bin at WalMart.
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June 06, 2005
One crucial aspect of the WOO/DSM experience is timing. It is important to begin the CD at the end of the third, final roar of the MGM lion.
Get the timing right, and then get ready for an eerie ride.
The opening credits of the film began to roll to the heartbeats and ticking of Speak to Me. The familiar black-and-white farm scenes begin with the song Breathe. Dorothy is talking with the farm hands, then begins to walk the fence rail. The lyric "And balanced on the biggest wave You race towards an early grave" plays as Dorothy loses her balance and falls from the fence.
Of course, the movie goes on long after the CD ends.
The CD ends with the beating of a heart as Dorothy listens to the Tin Man's chest.
Give it a try sometime (altered personal reality optional). Make sure you scroll down to the bottom of the page for links to other Wizard & Dark Side sites.
And your little dog too!
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June 04, 2005
Thanks to Mrs. Spoons for the pointer.
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May 27, 2005
Boss: What's gotten into you?Crystal: Spider venom, and I like it.
Consider that a mini-review and recommendation.
Speaking of clitorises... clitoris's... clitorii... what's the plural of clitoris? Oh well, doesn't matter... Speaking of female anatomy, wegglywoo points out an article that proves once again that there are always new things to discover right under our noses (ahem).
Sorry, I was up way late and up way early. Sleep deprivation makes me silly. It's a serious article though, and has some interesting implications for current surgical techniques.
Since we're navigating around the female form, it might be useful to be able to actually navigate, eh? And what better way than by sextant, especially an actual working sextant you build yourself using AOL cd's, mirrors and lego? Thanks to the Ministry for this nifty link.
Mookie picked up the soundtrack to Spamalot. Excellent. I especially enjoyed "The Song That Goes Like This". By the way, that is also one of the best home pages I've ever seen.
One Hit Wonder Central, courtesy of the Llama Butchers.
Gir has tagged me with another meme that goes on the ol' "get to it later stack", alongside the one from Elisson.
Squipper (who has a loaf of home made cinnamon-raisin bread heading her way at the speed of USPS) points out an amusing list: "Things I'd Probably Say If the Bush Administration Were Just a Weekly TV Show and I Were a Regular Viewer". In a completely non-partisan manner I'd like to mention that you can replace "Bush" with "Clinton" or even "Republican" or "Democrat" and the list would still be perfectly spot on.
(I know that contest was a long time ago and I'm just getting around to sending Cindy her prize, but I prefer to think of it this way: I take a long time to satisfy a lady.)
A while back I linked to "By Ourselves, For Ourselves" over at Random Nuclear Strikes. Basically, it's a series of practical essays on survival if the shit ever hits the fan. I consider these a must-read, and the latest installment is up.
You might not like guns, but you should understand the purpose of the 2nd Ammendment. And if you think it's terrible that the government tells you who you can or cannot marry, or what you can or cannot do in the privacy of your own home, yet you remain anti-gun, then I say you're foolish to discard the ultimate Constitutional remedy provided by the men of wisdom who designed that document. Another link from Random Nuclear Strikes.
The Everlasting Phelps has a new advertiser that sells Japanese products. I got a kick just browsing the catalog, and just might order the "Respect the Emperor, Expel the Foreign Barbarians" t-shirt.
Lynn S has been on a roll lately, with links to this page of vintage pulp Octopus covers, and this group blog called Drawn!, which is all about illustration, and which led me to By It's Cover and The Planet of Sardines.
I love the internet.
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May 26, 2005

"All your base are belong to us."
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May 20, 2005
I've still got an unopened copy of the original on my shelf, a gift for Christmas.
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